Interview Meme

[rispacooper]

From Pir8fancier's Interview Meme:

(in which people respond to this and ask me to interview them, then i get to ask them 5 original questions and they must post replies on their LJs)



Okay, Rispa. Rubbing my hands together in glee.

1. It is the reign of Elizabeth the First. You are the ambassador from France, and you have just received word of the St. Bartholomew's Day massacre and that Henry IV has renounced Protestanism. You are told you have an audience with the Queen. Now! You walk into the room and everyone is dressed, head to toe, in mourning. "As you see, Ambassador," she says. "We are in mourning. Why are *you* not?"

"One doesn't dress to mourn the dirt swept away when cleaning house." (I am going to hell for that, if not causing a war...)

2. How much historical research did you do for "Sins?" Whew. Well it depends. Some things I already knew from various classes. Mostly I researched specific problems I'd encounter (i.e. pants versus trousers versus breeches, or were forks used yet...turns out, no, not really). And language questions. I *heart* linguistics sometimes and went a little crazy making sure they were only using words that were around and in use at the time, not to mention words that each character would have in their own personal lexicon. James, for example, could probably name certain parts of a lady's dress. Rene on the other hand? Doesn't know, doesn't care.

3. Do you heavily outline your writing or do you let the muse take you where it will? I have ideas...let me capitalize that. Ideas. Characters come first, then maybe scenes, a few snatches of dialogue, settings... It's difficult for me to plot because I'm rarely about action. I love action I just can't seem to write it. Hmmm I usually start with a beginning very well thought out, and a vague notion of the ending. Then I take 3 years just to write it down. (ack! flashback to senior thesis). I wouldn't say the muse takes me so much as the characters start to do what they like. If a scene isn't going how I want, after a lot of swearing and punching things, I usually realize that it's because it wasn't true to the characters as they have become. Maybe to the characters I started out with, but I tend to forget that they've changed through the chapters.

4. If you had a week to play with time, which era would you transport yourself back to and what sex would you be and why? Regency England (ah my teenage years and all those romance novels). I would be a lady...well a woman...I don't know about a lady. The women who rebeled or were different in that time were quite interesting. Courtesans and spies...the Napoleanic Wars going on and all this intrigue and danger everywhere. The birth of the feminist movement, in a really strange way, and the age of the Writer, when Poets were Rockstars.

5. Where's your favorite place to get Mexican food? El Charro in Lafayette

Comments

[paraxdisepink.livejournal.com]

I call that thing where the characters essentially mutiny as writing voodoo. Where you subconscious has completely hi-jacked the writing process. It knows what to say and how to say it, and if you don't like it, tough shit. I've learned to trust that process because you can't really fight it. If you do, you end up writing utter shit. And then spend hours, days, and weeks trying to fix it and end up in the exact place you should have been if you'd listened to them. Plus, who in their right mind would tangle with Ne Ne.

I <3 the total truth of this paragraph.